Keys Essay

The introduction of English Materials (Summary)

Outdated English, Middle English and Chaucer Older English The english language, as we know it, descends from the language voiced by the north Germanic tribes who satisfied in England through the 5th 100 years A. Deb. onwards. That were there no composing (except runes, used because charms) right up until they discovered the Latina alphabet from Roman missionaries. The earliest crafted works in Old English language (as their language is actually known to scholars) were probably composed orally at first, and may have been passed on from presenter to speaker before becoming written. We know the names of some of the later on writers (Cædmon, Ælfric and King Alfred) but the majority of writing is private. Old English literature is mainly chronicle and poetry -- lyric, detailed but chiefly narrative or epic. Central English and Chaucer From 1066 onwards, the language is known to scholars as Middle English language. Ideas and themes by French and Celtic literature appear in The english language writing at about this time, but the first superb name in English literary works is that of Geoffrey Chaucer (? 1343-1400). Chaucer introduces the iambic pentameter line, the rhyming stance and other rhymes used in Italian language poetry (a language in which rhyming might just be much easier than in English, thanks to the frequency of terminal vowels). Some of Chaucer's work can be prose and some is lyric poetry, but his greatest work is mostly narrative beautifully constructed wording, which we find in Troilus and Criseyde and The Canterbury Tales. Additional notable mediaeval works will be the anonymous Pearl and Gawain and the Green Knight (probably by the same author) and William Langlands' Piers Plowman. Tudor lyric poetry Modern day lyric poems in British begins inside the early 16th century with the work of Sir Thomas Wyatt (1503-1542) and Holly Howard, Earl of Surrey (1517-1547). Wyatt, who is tremendously influenced by the Italian, Francesco Petrarca (Petrarch) introduces the sonnet and a range of short words of the tune to English language, while Surrey (as he could be known) develops unrhymed pentameters (or write off verse) hence inventing the verse form which will be of great use to modern day dramatists. A flowering of lyric poetry in the reign of Elizabeth comes with this kind of writers while Sir Philip Sidney (1554-1586), Edmund Spenser (1552-1599), Friend Walter Raleigh (1552-1618), Captain christopher Marlowe (1564-1593) and William Shakespeare (1564-1616). Difficulties works of that time period are Spenser's Faerie Queene, Sidney's Astrophil and Stella and Shakespeare's sonnets. Renaissance drama The first superb English dramatist is Marlowe. Before the sixteenth century The english language drama supposed the amateur performances of Bible testimonies by build guilds about public getaways. Marlowe's takes on (Tamburlaine; Dr . Faustus; Edward II and The Jew of Malta) utilize the five action structure as well as the medium of blank passage, which Shakespeare finds therefore productive. William shakespeare develops and virtually exhausts this form, his Jacobean successors producing job which is hardly ever performed today, though several pieces include literary advantage, notably The Duchess of Malfi as well as the White Satan by Ruben Webster (1580-1625) and The Revenger's Tragedy by Cyril Tourneur (1575-1626). The excessive and gratuitous violence of Jacobean plays brings about the clamour for closing down the theatres, which is enacted by legislative house after the Detrimental war. Metaphysical poetry The highest of Elizabethan lyric poets is David Donne (1572-1631), whose brief love poetry are seen as a wit and irony, when he seeks to wrest meaning from experience. The

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preoccupation together with the big questions of love, death and religious faith marks out Donne and his successors who have are often named metaphysical poets. (This term, coined by Dr . Samuel Meeks in an article of 1779, was elevated and popularized by T. S. Eliot, in an dissertation of 1921. It can be unhelpful to modern students who have are not familiar with this adjective, and who have are led to think that these poets hailed from some kind of institution or group - that is not the case. ) After his wife's death, Donne underwent a serious faith based...

Bibliography: ALBERT, E. Great English Books. London Nelson. 1983. BARBARD, R. Short History of The english language Literature. London. Routledge. 1984. BAUGH, A. Literary Good England. (4 vols) Birmingham: Routledge. late 1960s. BLAMIRES, H. A Short Great English Literature. London. Routledge. 1984 BURGESS, A. British Literature. Kent. Longman. (1958) 1993 CECIL, Lord M. Early Even victorian Novelists, London, 1934. CONRAD, P. The Everyman History of English Literature. Greater london. Dent. 1985 COOTE, S i9000. The Penguin History of English Literature. London. Penguin 1993. DAICHES, D. A Critical Good English Books. (4 vols) London: Secker & Warburg, (1968) 1990. DRABBLE, Meters. (ed) The Oxford Companion to English language Literature. London, uk. O. U. P. 85 FORD, N. (ed) The Pelican Tips for English Literature. (8 vols) Harmondsworth. Penguin 1983. FOWLER, A. As well as of The english language Literature. Oxford. Basil Blackwell, 1987. GILLIE C. Longman Companion to English Materials. Longman, 1972 GRAY, Meters. A Book of Literary Terms. London, uk. O. U. P 1985 GRELLET, F. & Valentin, M. L. An Introduction to English Literary works, 1986. Hachette. HOLLANDER, J. kERMODE. Farrenheit. (eds) The Oxford Anthology of British Literature, two vols. Oxford. 1973 JEFFARES, N. (ed) Macmillan Good Literature. (10 vols) Greater london. Macmillan 1983-1991 JOHNSON, 3rd there’s r. B. Females Novelists, London, 1918. your five

PEREZ GALLEGO, C (ed. ) Cronica de la Literatura Inglesa. a couple of vols. Madrid. Taurus, 1988. PUJALS FONTODRONA, E Relato de la Hojarasca Inglesa. This town. Gredos. 1988. RAJAN, T. Dark Interpreter. The Discourse of Romanticism. Ithaca: Cornell Univ. Press, 1980 ROBSON, W. A Prologue to English Literary works. London. Batsford. 1986 ROGERS, P. (ed) The Oxford Illustratred Good English Literature. Oxford. To. U. G. 1987. SAMPSON, G. (ed) The Succinct Cambridge Guideline of British Literature. Cambridge. C. U. P. 1970 STAPLETON, M. (ed) The Cambridge Guide to English Books. Cambridge. C. U. G. 1983 STEPHEN, M. An Introductory Guide to English Materials. London. Longman. 1984 TILLOTSON G. A View of Victorian Literature, Oxford, 1978 WYNNE-DAVIES, M. Bloomsbury Guide to English language Literature. YOUNG, G. M. Victorian Great britain: Portrait of your Age. In. Y. 1953

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